Of sights and sounds, the culture of Hip Hop emerged from an unlikely origin when Marshall (Calmplex) entered the scene. Growing up in the various suburbs of Connecticut this young man often found himself rummaging through the debris of a shifting family life and perpetual re-location. Not unlike many with an unsettled youth he tended to look outside of his environment for signs of confidence and affirmation. It's not surprising that his path lead him to radical escapism through the input and eventual output of reachable forms of art such as Comic Books and later Hip Hop.
New England towns are often characterized by a sense of early American History, elite college societies and relaxed autumn scenery, but being on the outskirts of the metropolis of NYC and harboring its own versions of challenging city landscapes, CT has never failed to overcast its inhabitants with a certain raining feeling of conflict and unmanageable change.
Calmplex's first experiences of Hip Hop were highly commercialized specimens of manufactured dancer/rappers in parachute pants that hinted at an attitude but contained no edge of true reality based in a life he could relate to. Similarly, the only Comic Books he had access to were silver age kid friendly mush that was good for a few laughs but fell short in lasting impact. It was an odd introduction but somehow Marshall knew there had to be more depth hidden beneath the surface of these plastic pop filters of entertainment.
The entrance of adolescence stumbled in with more than an average amount of seismic rumblings. A second divorce in his family instigated an ocean of movement uprooting Marshall to two or three different high school/housing combinations before settling midway through his freshman year in the town that he would finish out his teenage life.
These were the years when Marshall really began to find his passion. Starting with an introduction of "Gangster Rap" from west coast trend setters Dr. Dre and Snoop Dogg and working his way all the way back to the East Coast influences of KRS-ONE, Gangstarr and A Tribe Called Quest, to name a few, Marshall was finally beginning to find the depth he had been looking for. At the same time, in the world of his parallel passion, the emergence of renegade comic book artists like Todd McFarland and Rob Liefeld who helped to form Image Comics also was capturing this young man's imagination in a time when escapism was never more needed as an alternate form of therapy.
It was at this time when Marshall tried his hand at lunch table rap rituals, crew formations, demo tapes and unfinished comic pages. These two art forms would penetrate and weld to his bones like adamantium metal on Wolverines skeletal structure. It was also around this time when he found an even deeper connection with a Faith in God that would give a much more substantial meaning and light to feed these passions further.
Through the years since High School Marshall never stopped following his heart even through his disjointed past and equally incohesive present. It took many false starts, name changes, notebooks and sketchbooks to gain his current accomplishments. In the early 2000's he began a strong affiliation with Shadow of the Locust and has been building a flourishing ministry and music career ever since, becoming a 10 year vet of verbal Locust-lore. In his own visual endeavors he has crossed over his pen from writing lyrics to the inclusion penning his own Graffiti inspired mini comics (check it out @: DonkeyJaw.com)
of It seems only fitting that he would finally settle on the moniker Calmplex reflecting his background, faith and personality.
As a 10 year Shadow of the Locust member he has released 2 full length album's performed in various shows and, better late than never, created his first Graffiti inspired Mini Comic among other things (check it out at: PlexHop.com).
New England towns are often characterized by a sense of early American History, elite college societies and relaxed autumn scenery, but being on the outskirts of the metropolis of NYC and harboring its own versions of challenging city landscapes, CT has never failed to overcast its inhabitants with a certain raining feeling of conflict and unmanageable change.
Calmplex's first experiences of Hip Hop were highly commercialized specimens of manufactured dancer/rappers in parachute pants that hinted at an attitude but contained no edge of true reality based in a life he could relate to. Similarly, the only Comic Books he had access to were silver age kid friendly mush that was good for a few laughs but fell short in lasting impact. It was an odd introduction but somehow Marshall knew there had to be more depth hidden beneath the surface of these plastic pop filters of entertainment.
The entrance of adolescence stumbled in with more than an average amount of seismic rumblings. A second divorce in his family instigated an ocean of movement uprooting Marshall to two or three different high school/housing combinations before settling midway through his freshman year in the town that he would finish out his teenage life.
These were the years when Marshall really began to find his passion. Starting with an introduction of "Gangster Rap" from west coast trend setters Dr. Dre and Snoop Dogg and working his way all the way back to the East Coast influences of KRS-ONE, Gangstarr and A Tribe Called Quest, to name a few, Marshall was finally beginning to find the depth he had been looking for. At the same time, in the world of his parallel passion, the emergence of renegade comic book artists like Todd McFarland and Rob Liefeld who helped to form Image Comics also was capturing this young man's imagination in a time when escapism was never more needed as an alternate form of therapy.
It was at this time when Marshall tried his hand at lunch table rap rituals, crew formations, demo tapes and unfinished comic pages. These two art forms would penetrate and weld to his bones like adamantium metal on Wolverines skeletal structure. It was also around this time when he found an even deeper connection with a Faith in God that would give a much more substantial meaning and light to feed these passions further.
Through the years since High School Marshall never stopped following his heart even through his disjointed past and equally incohesive present. It took many false starts, name changes, notebooks and sketchbooks to gain his current accomplishments. In the early 2000's he began a strong affiliation with Shadow of the Locust and has been building a flourishing ministry and music career ever since, becoming a 10 year vet of verbal Locust-lore. In his own visual endeavors he has crossed over his pen from writing lyrics to the inclusion penning his own Graffiti inspired mini comics (check it out @: DonkeyJaw.com)
of It seems only fitting that he would finally settle on the moniker Calmplex reflecting his background, faith and personality.
As a 10 year Shadow of the Locust member he has released 2 full length album's performed in various shows and, better late than never, created his first Graffiti inspired Mini Comic among other things (check it out at: PlexHop.com).
Contact Info, Calmplex:Plex Email: [email protected]
Plex Music: iTunes:Calmplex , Calmplex.bandcamp.com Plex Visuals: YouTube Plex Web: DonkeyJawProjects.com |
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Discography, Calmplex:FULL LENGTH's:
-Calmplex & SOTL, "a Mighty Army Cometh, vol.1" -Calmplex, "Gun EP", 2013 -Calmplex, "Solar Wind Theory", 2010 -Calmplex, "B-Sides First", 2005 SINGLES: -Calmplex, "Jingle Hop Hop", 2010 FEATURES: - - |
Downloadable Calmplex:![]()
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